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Against this historical background, cultural and knowledge piracy as a practice assumes a different relief. It is not merely reducible to free-riding aimed at gaining access to something that is the property of others but can be viewed as a challenge to the property-form as a form of regulation of social production of culture and knowledge. In that way, it is not different in nature, but only in kind from the different challenges to how privatisation, property and exclusion regulate social production of food, housing, health or education. The rise of digital networks and expansion of accessibility has only exacerbated that eminently political tension. The neoliberal rollback of the socialised access to those services and goods, and the public institutions tasked with providing that access, have precipitated that tension into a full-blown crisis of social reproduction.
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## Piracy as politics of prescription
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## Piracy as a politics of prescription
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The sessions in this topic start from an understanding of piracy as a form of politics. Piracy calls for the abolition of property and commodification as regimes of regulating exclusion from the socially produced communal wealth. The implication of this demand is a radical socialisation of the system of cultural and knowledge production. If this demand is understood as unconditional, piracy then is neither appealing to a grey-zone nor asking for a conditional toleration of infringing practice, but it is issuing an unconditional demand. That makes it eminently political. On this view, piracy can be understood as a form of politics of prescription (Hallward 2005) that re-articulates the terms of the debate and divides the political terrain in two - one can only be for or against the unconditional demand it makes. Such political intervention does not seek to open a "middle of the road" perspective but demands that everyone takes sides.
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